Comparison between the Panasonic Gh5 II and the Panasonic Gh5s

Neither the affiliate payment nor the amount that you are charged by the merchant will be affected by this payment. Which of the two cameras – the Panasonic GH5 II or the Panasonic GH5s – has the advantage in this comparison? Listed below is a breakdown of the relative strengths and weaknesses of each of the two contenders. Each of the GH5 variants, the GH5 II and the GH5s, is a recent model that is part of the company’s current product lineup. In contrast to the GH5 II, which superseded the previous Panasonic GH5, the GH5s does not have a direct predecessor.

Because of its slower locking speed (0.07s) compared to the GH5, the GH5S captures images in lesser light with more sensitivity (-5Ev vs -4Ev on the GH5). Regular 4K allows both cameras to shoot at speeds of 50/60p, however in Cinema 4K, the GH5 is restricted to 24 frames per second. For its part, the GH5S is capable of recording both 4K and C4K at 50/60 frames per second.

Even though the GH5S does not come with built-in stabilization, professional videographers are not really interested in such a feature anyhow. The Panasonic GH5 and the Panasonic GH5S are both mirrorless camera systems with a micro four thirds mount. It elevates the already stunning weather-sealed body and its indisputably extensive list of features to an entirely new level of beauty and functionality in perfect harmony.

With these statistics in mind, the 14-bit RAW photographs captured by the GH5S should significantly increase the amount of depth and versatility available, particularly when generating time lapses. The Sony a7S II is one of the greatest cameras available for low-light photography, yet it is one of the most expensive. In other words, if low-light performance is your primary goal, you will almost certainly benefit from the bigger sensor size available. If you’re interested in seeing how additional cameras couple up, just type the name of the camera into the search boxes provided below.

Additionally, it can only shoot full HD at a maximum frame rate of 120 frames per second, while the GH5S can shoot at a maximum frame rate of 240 frames per second. As a result, the Panasonic produces more visually appealing slow motion effects. Both the Panasonic GH5 II and the Panasonic GH5s cameras are equipped with an intervalometer as standard. In this way, the photographer may film time lapse sequences of natural phenomena such as flower blossoming and sunsets and moon rises without the need to invest in an additional camera trigger and associated software.

The GH5S, on the other hand, takes things a step further by offering cinema 4K at up to 30 frames per second in 10-bit 422 or up to 60 frames per second in 8-bit 420. Because of this, the GH5S is a feasible filmmaking choice when delivering content in real 4K resolution is essential. I possess both the GH5 and the GH5s, and I have to admit that the GH5s is fantastic for video, but it is severely lacking in terms of picture quality, at least in terms of resolution.

Among many other features, they contain a large number of sophisticated options for video producers, including pre-installed V-Log L and HLG profiles, among many others (zebra, waveform, etc.). This picture option is used by professional videographers because it allows for the capturing of a wider dynamic range than is possible with other modes. The GH5S has a Dual Native sensitivity range, which further emphasizes the increase in low light performance.

In order for the ratings to be legitimate, they must be applied to cameras belonging to the same category and of the same age. In addition, please keep in mind that some of the review sites have modified their approach and reporting over time as a result of their growth. It is possible that the ability of a camera to interact with its surroundings will be an essential consideration in the camera selection process for some imaging applications. With the Panasonic Lumix DC-GH5 II and Panasonic Lumix DC-GH5s, you have access to a wealth of port options. The table below summarizes these options in terms of system requirements, as well as the interfaces that the cameras offer for accessory control and data transmission. Many current cameras are capable of not just taking still photographs, but also recording video footage.

The sensor of the Panasonic GH5 II has a resolution of 10MP higher than the sensor on the Panasonic GH5S, which provides a substantial advantage in real-world shooting. Please bear in mind, on the other hand, that the maximum sensor resolution is not the only factor that influences the resolving power. The ultimate resolution of the collected picture is influenced by a number of factors, including the optical components, low pass filter, pixel size, and sensor technology, among others. The sensor in the Panasonic GH5 has 10MP greater resolution than the sensor on the Panasonic GH5S, which offers a substantial advantage in real-world shooting. The continuous shooting speed for still images is the same as for video, with a maximum of 12 frames per second.

An adapter cable from a flash sync to a BNC connector is included in the package. This cable makes it much simpler to get the camera to function in a multi-camera arrangement than it would otherwise be. Although this technique/feature will function in most situations, it will only operate when the objects/subjects at the three chosen focusing locations do not move about (i.e., stationary). When working with moving objects, you would need to use either standard touch to focus or manual focusing, depending on your preference. What makes the Panasonic GH5 II and Panasonic GH5s stand out among their peers in terms of specs? Do the cameras’ technical features position them among the best in their class?